Days b4 III

Call me a new-gen or whatever, but 2019 was the year I stumbled upon Lucki, and it changed the way I listen to trap music. The track that pulled me in was 4 The Betta, which I randomly found on a Spotify playlist. The moment I hit play; I was hooked. I immediately dove into the entire Days B4 III, listening to it straight through. Now, almost three years later, Lucki remains my most listened-to artist.

While I wouldn't necessarily call this my absolute favorite Lucki project, it’s certainly one of the most memorable and influential for me. The production on this record is phenomenal—arguably some of the best trap beats I’ve ever heard. Tracks like Me Myself & I, RIP Act, Randomly, and Last Time Mentioning are intoxicating, each drenched in a hazy, psychedelic atmosphere. The production feels like it was tailor-made for Lucki, complementing his unique delivery.

Some critics might argue that his flow feels lazy or derivative, but to me, that’s part of the charm. His voice and tempo are integral to his overall sound, and they enhance that woozy, almost hypnotic vibe that he’s known for. It’s like his delivery cuts through the fog, making his intoxicating themes even more palpable. The way he rides the beat is distinctive, and I’d say it sets him apart from his peers rather than mimicking them.

Each track on Days B4 III is like its own little universe, a collection of short, atmospheric vignettes that feel like individual moments captured in time. Beverly Hill to 35th is a standout for me, offering a brighter contrast to some of the darker sounds that permeate the album. While Lucki isn't typically praised for his lyricism, there’s something captivating about the way he discusses his struggles with addiction and the complexities of his love life. It’s raw, vulnerable, and reminiscent of Future in that sense. The influence is clear, but Lucki’s approach feels personal and singular.

When I first heard the album, it was Lucki's latest release at the time, and it left me wanting more. Even though it isn't without its flaws, I still love it. If I had to pick a weak spot, Way 2 Rare would be the one track I occasionally skip. The beat feels a bit lackluster, and Lucki’s flow on that track doesn’t quite hit the mark for me. It’s not a bad song, but it pales in comparison to the gems surrounding it.

Overall, Days B4 III is a trap record that holds a special place in my heart, and it’s still in my monthly rotation to this day.

LUCKI - DAYS B4 III

RATING - 8.7/10

GENRE - Trap, Rap