Selected Ambient Work 85-92
In 1992, Richard David James, better known by his moniker Aphex Twin, released his groundbreaking debut album, Selected Ambient Works 85-92. This project is a culmination of the artistic mastery he developed over several years, showcasing his unique approach to electronic music. The album not only redefined ambient music but also left an indelible mark on the genre, blending electro rhythms and drum patterns in a way that had never been done before. This fusion pushed ambient music into new territory, forever altering the scene. Here's my take on this iconic release:
From the outset, Aphex Twin demonstrates an exceptional ability to create immersive sonic landscapes. Each track feels expansive, intricate, and meticulously crafted. The opening track, "X-Tal," serves as an entry point into his world, setting the tone with a subtle yet captivating introduction. You can immediately sense the early influence of EDM with the movement of the drums, yet the track still retains the meditative quality expected of ambient music. It's a fine balance—rich and textured, yet undeniably atmospheric.
The ambient genre, by its very nature, often avoids innovation, serving a functional role in creating a musical backdrop for environments where the music isn't meant to be the focus. Typically, it's heard in elevators or at dinner parties, fulfilling a quiet presence. But Aphex Twin flips this notion on its head. He brings innovation and complexity to a genre that often thrives on simplicity. A prime example is the track "Tha," which spans nine minutes yet manages to remain compelling throughout. The ability to sustain interest over such a long duration is a testament to his skill in creating evolving soundscapes.
"Ageispolis" is another standout track that defies ambient conventions. It opens with a striking plucky synth, repeating a series of notes that gradually melt into a mellow, atmospheric haze. It's remarkable how Aphex Twin can take something sharp and striking and transform it into something soothing, reinforcing his ability to craft contrasting elements into harmonious compositions.
One of the more experimental tracks, "Green Calx," deserves special mention. Here, Aphex Twin ventures into otherworldly territory, incorporating almost alien-like, unsettling sounds that evoke imagery of a dystopian science fiction movie. Yet, despite its initial dissonance, the track evolves into a strangely peaceful soundscape. It's this ability to juxtapose chaos with calm that defines much of Aphex Twin's genius.
Perhaps my favorite track on the album is "We Are The Music Makers." Nearly the only song with actual vocal samples, it encapsulates what Aphex Twin represents: controlled chaos. There's an almost anarchic energy present, yet it's bound together by a structure that keeps it from spiraling into disorder. The result is a delicate balance that feels both unpredictable and cohesive, a hallmark of his work. It's this tension that prevents the music from becoming monotonous, keeping the listener engaged with each new layer.
The album’s closing track is another triumph, with a catchy melody that weaves itself into the listener's mind, leaving a lasting impression. It’s addictive, like much of the album, drawing you back for repeated listens. What’s truly remarkable, however, is how timeless the entire project feels. Despite being released in 1992, none of the tracks sound dated. The music could be released today and still feel fresh, which is a rare achievement in any genre, let alone one as transient as electronic music.
In conclusion, Selected Ambient Works 85-92 is a perfect album that reshaped the ambient music landscape and continues to influence artists today. Its blend of innovation, atmosphere, and timelessness cements Aphex Twin as one of the most important figures in electronic music history.
APHEX TWIN - SELECTED AMBIENT WORK 85-92
RATING - 10/10
GENRE - Ambient, Electronic, Trip Hop, EDM