Saheem
I've been a Sahbabii fan for a while now. SANDAS, Squidtastic, and Do It For Demon were all standout records that showcased why he's earned the title of "king squid." His ability to blend lush, atmospheric production with playful, almost otherworldly vocal inflections has always set him apart. So when he announced this album just a week before its release, it felt like a surprise gift for fans.
This time around, though, Sahbabii takes a more conservative approach. Gone are the boldly unique vocal inflections that defined tracks like "Marsupial Superstar" or "Bread Head." Instead, this album feels like a more reflective, introspective journey. It’s Sahbabii in a different mood—a little less “horny” and a lot more grounded. This is easily his least sexual record to date, moving away from that playful sensuality and leaning more into the raw emotions of street life and introspection.
While there aren’t necessarily any “mind-blowing” moments, Sahbabii keeps his streak of “no misses” intact. The back half of the record is especially intriguing, with a heavier use of samples that gives the tracks an ethereal, almost hypnotic quality. It’s a sound that feels new for Sahbabii and adds an unexpected, almost dreamlike dimension to the album.
Some standout tracks include "All the Way," which hits hard with a killer beat and Sahbabii’s signature flow—smooth yet brimming with confidence. Then there’s "Bi," where he brings back some of those weird vocal inflections, making it one of the catchiest songs on the album. And "Viking" has a bit of a Homixide Gang influence, a nod to Atlanta’s darker trap sounds, though he still adds his own flavor to keep it fresh.
One of the most personal tracks, “Workin,” takes a grounded approach lyrically. Here, he reflects on how he’s really not that different from anyone else—just a guy who’s put in his hours, worked regular jobs, and hustled to get where he is. It’s a glimpse into the life of an artist who still sees himself as just another person grinding to make a name.
Overall, while this album might not push the creative boundaries as much as some of his past work, it’s still a solid project that highlights a more mature, reflective side of Sahbabii. It may not have that immediate, mind-blowing impact of his previous records, but there’s enough substance to keep it in rotation. Solid, enjoyable, and a worthy addition to his discography—even if it doesn’t quite reach the euphoric highs of his earlier releases.
In short, I liked it. I didn’t love it, but for fans of Sahbabii, it’s an album that brings something new while staying true to the unique essence of the king squid.
SAHBABII – SAAHEEM
GENRE - Hip-Hop, Trap, Alternative Hip-Hop
RATING - 7.6/10