Last Leaf On The Tree

The track "Come Ye" is proof that Willie Nelson’s been subtly channeling a Nina Simone cover collab vibe all along—it has this strange but captivating edge that I didn’t expect from him, especially at this stage in his career. But that’s the thing about Willie: he’s always down to surprise us, even after decades of putting out music.

What really pulled me in, though, is the percussion throughout this album. It pops up in some unexpected ways, adding this raw energy and depth that makes the whole record feel alive. Each track has this grounded rhythm that seems to push Nelson’s voice to a different level, almost like he's bringing a new texture to his music. There are moments where the beats feel almost minimalist, but the subtle shifts make each song feel fresh and layered. It’s incredible how at 90-something, he’s still so dynamic, constantly adding new dimensions to his sound.

Nelson's not just sticking to his own stuff here either—he’s tackling songs from a bunch of well-known songwriters, covering everything from classic folk to modern Americana. Some covers hit stronger than others, as you’d expect, but he brings his signature warmth and grit to all of them. It’s like he’s adding his stamp, making each song feel personal without erasing the original spirit. The arrangements, too, are honestly beautiful—simple in the best way, letting each song breathe, but with this quiet elegance that gives the whole album a cohesive, almost nostalgic feel.

All in all, this album feels like another major success for Nelson this year. It’s clear he’s not just coasting on his legacy; he’s actively shaping it, reminding us all why he’s still here, still putting out music that matters.

WILLIE NELSON - LAST LEAF ON THE TREE

RATING - 8.4/10

FAVORITE TRACK - Robbed Blind

GENRE - Folk, Country